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Babli Bouncer movie review | Filmfare.com


Critics’ rating:



3.0 / 5

Babli’s father (Tamannaah) runs a successful akhada in their village of Haryana. The gym’s USP is that it has successfully attracted return-bound people to clubs in Delhi year after year. Babli has grown up around pehalwans, knows all their tricks and can lift as much weight as they do. She is a supreme tomboy who talks to her buffoons, loves to drink large amounts of lassi, eats 12 rotis at once and loves to ride Bullet. She is knocked down by the son of her former class teacher. She found out he was based in Delhi, convinced her father that she wanted to work as a security guard and went there. She becomes his friend but after a while realizes there is a huge gap between them. This epiphany moment convinces her to better herself. She started learning English and even finished 10th best after so many years. And also realize that she doesn’t need a man to complete herself.

Babli Bouncer hit, thanks to coronavirus. It was finally released OTT. Its delicious recipes are just right for medium people. Madhur Bhandarkar is known for his dark, edgy, life movies, so it was a surprise to see him try his hand at action comedy. It’s his lightest movie yet. In fact, the movie’s gritty start convinces you that you’re on a gritty ride but other than that, the movie is all fun and positive. A woman who wants to be a disruptor – that’s a bit unusual but alas the movie doesn’t go beyond a single-line plot. A trained wrestler herself, it didn’t take her time to become a struggling athlete. But then what? Yes, she goes through a journey of self-discovery but we’ve seen it all before. The film reiterates the point that it is important for girls to earn their own money and wait for real love to happen, instead of giving in to attraction. And that they should learn to love themselves first because accepting yourself as you are is the key to fulfillment.

Most of the dialogue in the film is Haryanvi’s, especially in the previous parts. That takes getting used to. The writers tried to keep things real. Abhishek Bajaj’s character doesn’t love gaon ki gori but finds her rude and doesn’t hesitate to speak out. Sahil Vaid plays the childhood friend who secretly carries a torch for Babli. He risks heartbreak and speaks out about his feelings, instead of keeping them calloused and suffering in silence. Babli’s characters are full of quirks and idiosyncrasies. While she wanted to polish herself and complete her education, she also realized that it was her eccentric personality that made her unique.

This role was written for Tamannaah and one can see that she enjoyed writing essays about it. She is famous for her acting ability in the South but in the Hindi industry her films like Himmatwala and Humshakals do not create any miracles. So, Babli Bouncer is her comeback movie in Hindi cinema. She took the opportunity with both hands and ran after it. Her Haryanvi accent is so true and so is the comic timing. She makes Babli completely believable and never deviates from character. The action sequences involving her feel real and unlike the sublime stunts commonly seen in our movies. It’s time for Hindi filmmakers to take notice of her talent. Tamannaahis the best part of the movie and carries it on her shoulders. Check out the film for her natural acting and its powerful message.

Trailer: Babli Bouncer

Rachana Dubey, September 23, 2022, 1:31 PM IST


Critics’ rating:



3.5 / 5


Story: Babli Tanwar uses emotional tactics to take on the job of a waitress at a nightly spot, hoping it will win her marzipan points from the man she loves. Heartbroken, she decided to use the opportunity to pursue her career path and take charge of her life.

Review: Babli, in a Haryanvi village bordering Delhi, is famous for supplying bouncy players to the city’s clubs. A chance meeting with Viraj (Abhishek Saxena) changes her life and she decides to take a job as a waitress at a club in Delhi. In the end, when Viraj broke her heart, she found true happiness in educating herself and taking her work and career seriously.
Madhur Bhandarkar returns to directing after a five-year hiatus, and once again begins a storyline revolving around a woman’s quest for love, while determining her true strength and identity. hers. While watching the movie, you can feel that it is made by someone who knows the pulse of this kind of cinema, set in a commercial space, pat it down. While Babli Bouncer isn’t a patch on Bhandarkar’s previous national award-winning work, he doesn’t seem to have completely loosened up such narratives.

The theme of the film is one of its plus points. The life of a male escort, leaving a female protector alone, has never really been explored in a film in India. The women who were barely visible, the women who had a rough life, were depicted with a softer line. However, the writing here is somewhat faltering. Babli faced all sorts of obstacles during her journey of self-discovery but she overcame them without much concern. She is portrayed as a feisty, playful person who doesn’t care what the world has to say. However, the moment the heartbroken man holds the mirror for her, she begins to change the direction of her life, and corrects everything he points out to be wrong with her. That and a few other nuances dilute the story and limit the scope the story actually has. The dialogues are pretty decent, though there’s plenty of room for them to be great. Throughout the movie, Babli always says that she’s funny but the comic punches don’t work in all situations.

Having said that, the Babli Bouncer is a light, fast-paced watch that doesn’t take long before the story gets gripping. The film was shot well, capturing the essence of Haryana and Delhi. The songs are all relevant and help push the story forward. The few scenes where Tamannah goes into action mode were well done. Tamannah Bhatia nailed those with ease.

Among the performers, Tamannah is the one who really shines. Her attempt to speak like a Haryanvi local, her body language, and her innocent portrayal of personality all show her potential to manifest. She seems very comfortable playing Babli, and the more emotional surge in her part will only add a silver lining to her performance. Sahil Vaid as Babli’s friend Kuku is fine but doesn’t seem to have much to do. Saurabh Shukla works well on screen, although could be given some extra work to do. Abhishek Saxena, as Babli’s love interest, could have bitten harder on his part.

Having acted in a number of popular films in the past, Madhur Bhandarkar stands quite far away from his own standards, although he has not faltered. Still, the film is still an engaging movie and has some light and sweet moments that keep you in check throughout its nearly two-hour run.

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