3.0 / 5
Film critics, beware! There is a scary killer lurking and he is out to catch you. So be honest about the artistic merits of the film you’re considering, or he’ll chop you up. Considering that Balki’s films always receive positive reviews, it’s a mystery why he created this revenge fantasy. And considering former film critic Raja Sen was part of the writing team, the mystery is even more baffling. The film is also Balki’s tribute to Guru Dutt and hundreds of other creative souls who find real life too disturbing. The film portrays that cinema provides a means of liberation for ordinary people from their mundane lives and thus it becomes the director’s duty to create a good film. And critics have a job to judge a movie for the content and emotions it evokes, not to include their own biases in reviews. It turns out that Guru Dutt gave up directing films after his Kaagaz Ke Phool (1959) was critically acclaimed. It’s a loaded statement, since there’s a stream of thought that says it’s the masses who make a movie a commercial success or failure. A badly made movie can become a hit if they see it, and a movie that ticks all the boxes can flop at the box office if viewers don’t pay attention to it. Kaagaz Ke Phool is today considered a classic and is taught at film schools. So perhaps posterity is a better judge than criticism or box office numbers.
There are fundamental flaws in the script. It is unclear how the killer, who owned only one bicycle, was able to kidnap and drive people out of their homes and kill them at different locations. And he was able to do so in a large police presence. Also, he can evade all the security cameras everywhere. It just doesn’t add.
But ignore these hiccups and amusing assumptions, and you’ll see a beautiful love story between Dulquer Salmaan, who plays a reluctant florist, and Shreya Dhanwanthary, who wants to be a housewife. genuine criticism. It’s a poetic romance, overlaid with music from Guru Dutt’s films, with cinematographer Vishal Sinha recreating the light and space of Dutt’s cinematographer, the legendary VK Murthy. Romance has never looked so peaceful lately and praise goes to the director and cinematographer for getting it right.
You’ll also see Sunny Deol as a brilliant police detective. Sunny came back strong through this drama. His image as an action star has always overshadowed his abilities as an actor. Balki draws the actor in him, let him develop in his character. He is not a frustrated, angry cop who wants to change the system but a dedicated officer who methodically connects the dots and tries to come up with a logical explanation for everything. rank. Sunny has a great on-screen presence that is put to good use and his stellar performance is one of the movie’s highlights. Nice to see Pooja Bhatt back in action. She plays a psychiatrist who helps the police profile the killer. It’s a short and impactful role where she shines. Male actress Saranya Ponvannan made her Hindi debut with this film. She plays Shreya Dhanwanthary’s blind mother and the mother-daughter scene plays out in real life. Her sassy reactions are a real treat.
Shreya Dhanwanthary always looks natural in front of the camera. She gives another believable performance here as a somewhat naive entertainment journalist who goes through emotional development over the course of the film. Dulquer Salmaan excelled in the recently released Telugu movie Sita Ramam. Hindi audiences know him from Karwaan (2018) and The Zoya Factor (2019). Here, he plays a complex character who identifies himself with Guru Dutt. The last scene where he does a Dutt-like pose in Pyaasa (1957) is sure to take you back in time. This is not an easy role to write about and the actor has given it his all, winning you over with his sincerity and devotion.
Chup: Revenge of the Artist can only be described as an experiment. Check out the film for great performances by the entire cast and for its homage to Guru Dutt and his cinematic brand.
Trailer: Chup Revenge of the Artist
Ronak Kotecha, September 21, 2022, 10:57 AM IST
3.0 / 5
Story: A psychopath is killing movie critics one after another in the most gruesome way. Will the police be able to catch him before the next screening comes out?
Review: It was a nightmare for film critics that we hadn’t seen until co-writer and director R Balki came up with the novel idea of our tribe being brutally cut to rank. grade a movie. A psychotic killer is being loosely targeted by top film critics and he could be just about anyone. A disgruntled filmmaker, a lousy actor or simply an avid movie lover. The police led by Inspector Arvind Mathur (Sunny Deol) are also clueless as the serial killer makes no mistake and kills his victims with creative ingenuity.
While the love story is unremarkable, Balki’s love of cinema is not. He does multiple frames with subtle photography (by cinematographer Vishal Sinha) and hauntingly vibrant background points recreated from last year’s chart movies like ‘Jaane kya kahi ‘ and ‘Yeh Duniya agar mil bhi jaaye’ from the classic ‘Pyaasa’ of Guru Dutt. This creates a mystical atmosphere that adds a chill to the killer’s carefully crafted murders.
Dulquer Salmaan tried his best to play a loner and a lover. One can see the actor’s struggle in dealing with his complex character and he does a great job at it. Shreya Dhanwanthary (famous in Scam 1992) is loved as a woman in love, but her role as a journalist doesn’t give her much to do. Sunny Deol has an impressive comeback. He plays the intelligent and devoted investigative officer quite well with the request of restraint. And it’s great to see him teaming up with Pooja Bhatt, who made her mark even in her brief but important role. She plays the psychologist Zenobia – a strong and determined character that feels right to her. Amitabh Bachchan’s usual performance in this Balki film doesn’t feel out of place either. Nila’s progressive mother character, played by Tamil actress Saranya Ponvannan, is a fanatic.